Alchemical Boy and Murder Puppet

Good Morning Folks! Every so often I find myself lacking gaming content… and decide that it is going to be a book update day. Today is in fact one of those days. Over the last week and some change, I have consumed three books and started on a fourth, and am going to talk about them. First up we have Last First Snow by Max Gladstone, the fourth book in the Craft Sequence and chronologically the first. I have to admit… this book combined with the fact that my Library system does not have the other books available… has halted my momentum in this series. It isn’t so much that Last First Snow is a bad book, and more that it takes the least likable character from Two Serpents Rise and then writes an entire damned book about them. It is essentially a retelling of events that are hinted at during the second book in the Craft Sequence and the whole thing feels a bit superfluous.

Sure it shows us that Elayne Kevarian is maybe a far cooler person than we had realized up to this point… but also I was sort of already on that page and the Temoc is awful… which again I am already on that page. I feel like this is a “darling” that the author should have probably dragged out into the street and killed. In the grand sequence of events in this series… I am hoping this book matters more than I realize at the moment. It very much feels like Max Gladstone has a deeper attachment to Temoc than we their readers do… kinda like Metzen and Thrall. Maybe I am wrong… maybe this character is beloved by the fanbase as a whole… but I am sorta doubting that someone who is pro-blood-sacrifice and ritualized scaring of children is a champion of the people. This is going to be a speed bump to the series as a whole for me that I am going to have to get over.

I found myself in need of a palette cleanser after that book, so I ventured slightly to the side and picked up This is How You Lose the Time War which is a collaboration between Max Gladstone and Amal El-Mohtar. As suggested by my friend Thalen, this book is sort of this weird romp of taking the classic Mad Magazine Spy vs Spy characters… and then turning that into a Romeo and Juliet story arc. The story is presented in alternating excerpts about two characters… Red and Blue are on diametrically opposed sides of a time and reality-bending Cold War. The thrill of competition leads to begrudging respect which blossoms into a romance that could never be… were it not for the fact that the two of them are adept at making the impossible appear probable. It is a really short book, only 200ish pages and once you get indoctrinated into the speech patterns of the two characters time flies by. I highly suggest you pick this up and give it a spin because I found it delightful.

Similarly recommended, this time by my friend Ace/Grace… we have the book Space Opera which is also smallish in stature coming in around 300 pages. The tagline for this book compares it to what if Hitchhikers Guide to the Galaxy met Eurovision and quite honestly it is apt. A more brutalist interpretation is what if the Get Schwifty episode of Rick and Morty were played a bit more seriously and expanded into an entire story arc. It is the tale of washed-up glam rockers Decibel Jones and the Absolute Zeroes, and how they saved the earth from total annihilation at the hands of the great galactic civilizations. How does a civilization prove itself to be truly sentient? Through music of course. It was a fun ride that took a bit to get into, but once I was bought in… I was there happily until the conclusion. The only thing a bit distracting about the novel is it has a propensity for rapid-fire information dumping asides… but then again so did Hitchhikers Guide to the Galaxy so maybe that is just fit for form.

Now I am working my way through Middlegame which is in itself part of a larger series… that admittedly I am probably going to dive into as well. It also has this whole story-within-a-story thing going on… which has spun off into its own book series. I admit though… the first night that I started this book I struggled considerably because it spends a lot of time introducing you to some deeply unlikeable characters. Last night however I broke through the surface and met the adorable Roger and Dodger… two small genius potatoes that I want to protect with all my life. I am glad I suffered through a maniacal alchemy boy and his murder puppet in order to get to the good bits. It definitely feels like one of those novels where every statement is purposeful as we are carefully working our way toward some grand denouement. While I had wobbly legs for a bit… I am very much on board now and will see this through.

Finishing Middlegame will take me to 48 books this year and that seems like a reasonable number. Sure it would be nice to maybe push that to 50 for clean divisible by ten goodness… but I am finding myself craving some narrative gaming. A lot of this has been me listening to audiobooks while playing mechanically enjoyable games that don’t require the narrative centers of my brain. I think I want to spend some time before the close of the year visiting some of the wealth of games that came out in 2023. I feel like I want to start Baldur’s Gate 3 over from scratch, and maybe roll something that can talk to animals as I seem to have missed out on a major part of the game.

Bookshops, Marvels, and a couple of Lokis

Good Morning Friends! I am getting a bit late this morning because I have been off-watching the last of the Loki series. We have the day off from work, and I have a list of things I plan on doing today but have yet to start. One of these is breaking down the mountain of shipping boxes I have carelessly thrown in the garage, and I plan on doing so while listening to an audiobook to make the time pass more easily. Speaking of books… I wrapped up Bookshops and Bonedust by Travis Baldree. This book came out on the 7th and I think maybe this is the fastest I have ever consumed a book. There is just something cozy about the style of writing of these books and how easy it is to consume. Truth be told there is nothing terribly special about the setting of the books themselves because it is sort of this familiar fantasy setting that would blend cleanly with any D&D session.

What makes them special however is the love and attention paid to the characters. Legends and Lattes was probably my favorite book that I read this year because it created this tapestry of characters that now all have permanent homes in my heart. I can’t say that Bookshops and Bonedust is necessarily a better book, but it is still equally enjoyable. Where Legends starts at the end of Viv’s adventuring life… this book is set far earlier in the very beginning as she was earning her place in an Adventuring company and got knocked out of battle and forced to stay behind and heal. This is a book about becoming the Viv that we know in the first book, and some of the key moments that set her on a path to that eventual future. Above anything else though it is a book about falling in love with books… and the friends that you meet along the way that influence your tastes. I chiseled careful niches in my soul for a whole new cast of beloved characters, and I think you will as well.

I watched The Marvels, and I think this is probably going to be a bit of a divisive film. Let’s just get this out of the way… I loved it and I think it might be slingshotted into the pantheon of my favorite Marvel films. However, I think the hype being artificially manufactured related to this film is going to leave a lot of folks frustrated. The last trailer that was released makes it seem like this is the beginning of a brand new era for Marvel and that “everything changes”. On some level this is true… but on other levels, the film itself is a really good character-driven story about three generations of heroes at different steps in their journey. I feel like this is going to be a film that the folks like me who enjoyed Thor Ragnarok and Love and Thunder will greatly appreciate. I feel like the folks who trashed those films… will not and will probably be overly vocal about it.

Ms Marvel is one of my favorite characters in Marvel comics, and I loved the Disney Plus Mini-Series. This movie is more a direct sequel to that than anything else, and it does a fairly good job of wrapping up some loose ends surrounding Captain Marvel and Monica/Captain Rambeau. I feel like it also makes some effort to try and set up events for future movies to explore… with a post-credits scene that finally begins to make good on a whole slew of teasers that have been not so stealthily inserted into a lot of Marvel media of them finally making good on the Fox Studios acquisition. More than that however it lays further groundwork for the Young Avengers… a project I am entirely here for.

As stated in the first paragraph, I wrapped up the second season of Loki this morning. I really hate the Disney Plus standard now of airing shows at a fixed time, because it ultimately means I always watch something the day after it comes out. This season admittedly was a bit of a mess and I spent most of the episodes uncertain of what I thought about the journey we were taking. The art direction of Loki is phenomenal, as is honestly the acting… but the tale that was woven felt a bit unsteady at times. However I am happy to report that the series as a whole sticks the landing, and I think we will probably be closing out this chapter of the MCU and opening a brand new one thanks to this series.

I think that has been my frustration with Marvel over the last few outings… we’ve been on the cusp of something greater but never quite getting there. It is a series of media telling us that something is coming, but never quite stepping over the threshold and out into whatever this new reality is. Multiverse of Madness, Quantumania, The Marvels, and the Loki series… all have been playing around the periphery of things to come and I feel like finally we are beginning to get somewhere worth going. After a lot of floundering and a few just plain awful series like Secret Invasion, I am hoping that maybe just maybe Marvel is beginning to coalesce into something better.

All of that said… Loki as far as a standalone series goes… has enough internal continuity to be universally good for even someone who knows nothing about the Marvel Universe. I would legitimately recommend this series even if you have never darkened the door of any superhero properties. I am hoping however it leads to more interesting things that do finally begin to factor into the larger picture. I think it has to… there is no way this series and the others I mentioned before are not leading to a Multilateral war that will carry us forward into the second culmination event for the MCU.

Anyways! I hope you all have a wonderful weekend. I highly recommend all three of the pieces of Media that I talked about this morning.

The Craft Sequence

Good Morning Folks! I’ve been working through the Craft Sequence series by Max Gladstone. The problem is I have no clue why I even know this series of books exists. Generally speaking, I can usually pin down a recommendation to a specific friend or group of friends who have been actively reading a given book. For this one however I am at a bit of a loss, but at some point over the last few months I added this to my “Want to Read” queue in Bookwyrm. I love Bookwyrm and for anyone who does not know what that is… it is essentially something akin to Goodreads but that exists as part of the ActivityPub “Fediverse” and federates freely with Mastodon. You could in theory use it as your primary Fediverse account, but I tend to treat it as a separate thing and then boost my activity there to my main account. I wish there was a way to formally link a Bookwyrm account to a Mastodon account, but in spite of that issue, it still works extremely well. I’ve been using it to track my progress with the various books I have read this year.

The Craft Sequence as a whole piqued my interest when I heard it referenced as another “Urban Fantasy” setting. The thing is… this is a wildly different flavor of Urban Fantasy than something like Dresden Files. In the Dresdenverse there is a veil between the true world and the world that the common folks understand, and it is maintained to keep both sides safe. In the Craft Sequence, it is a fully fantasy world that just happens to have evolved to modern levels of civilization. The thing is though… you don’t necessarily get this feeling in full effect until you get past the first book. Reading Three Parts Dead, it feels like you are reading any other fantasy novel save for the fact that it has a lot more modern language. It is a tale of necromancy and gods… and the legal contracts that bind them to their followers and what happens when a god dies. I loved the character of Tara Abernathy… a young associate at the Craft firm of Kelethres, Albrecht, and Ao on her very first project for that group. I described the feeling to a friend like “What if Hermione was a Necromancer and got kicked out of Hogwarts”.

The second novel Two Serpents Rise takes place with a completely different set of characters in a different kingdom. This is the point where I realized we were building a universe more than we were going to be getting serialized content focused on a single group of characters. This novel was deeply interesting because it focused more on the ramifications of an event that took place 50 years before the events of these novels. Craft practitioners and the Gods went to war… and the Gods lost. Two Serpents Rise is set in a pseudo-mesoamerican-inspired culture where 50 years ago… human sacrifice and the worship of the gods… were outlawed. There is an older generation that feels like this was not a good idea and as a result, the city has been in a bit of a cold war with the theists ever since. Your primary point of view on this situation is from Caleb Altemoc who works as a Risk Manager for Red King Consolidated and is attempting to make sure that city services are not negatively impacted. I did not think this book was nearly as dynamic as Three Parts Dead, but I still found it enjoyable.

Last night I finished Full Fathom Five, the third book in this sequence and this is the point when the methodology of this series is starting to pay off. Once again we are focused on a completely different setting, this time the Island kingdom of Kavekana. This is a place that lost all of its Gods during the God War and instead figured out how to create pseudo-gods in the form of “Idols” which are used as essentially savings accounts for storing “souls” as part of the banking industry of the magical world. This gives the island significantly more power than they have any right to, which places it on a precarious balance between assorted Military powers… but its Financial clout keeps them from being invaded. Your point of view character is Priestess Kai who works for the group that shapes the idols and worships them in order to imbue them with something resembling life to keep the financial transactions safe and secure. There is however a plot in the works to destabilize the entire system and a few characters that we met in book one and book two as minor side characters shift to the focus in this book.

I have to say so far… Full Fathom Five was my favorite of the Craft Sequence to date. Like I said we are beginning to finally see the payoff from all the work building this world and setting up its political and theistic structures. I think going forward the plots will begin to interweave a bit more as the entire sequence of books is likely leading to some crescendo. This is very much a series of books that has been constructed with a plan and I am exceptionally interested in seeing where that plan is going. I’ve tried not to read up too much on this series but it seems like Chronologically Book Two takes place before the events of Book Three… and then Book 4 is technically the beginning of the series. There are apparently Six books in the main sequence and then two additional books that begin another series that is connected to the first six. I think at this point I am bought in and will be reading through these until I reach the end.

It has been a bit of a wild ride for me when it comes to books and reading. Generally speaking, I tend to only read a few books in a given year, but as of last night, I had completed forty-three and will likely close out the year around forty-five. I’ve had a blast and in part, all of this was prompted by my wife and I finally renewing our Library cards last December in order to take advantage of the easy book checkout process brought on with the LibbyApp. We both have three different library cards connected to that system now each with their own slightly different collections of what we have access to. It does however make me a little frustrated that I did not do this sooner given how much I have thrived while reading all of these books.

Right now I am taking a bit of a break from the Craft Sequence as the second “Viv” book by Travis Baldree was released yesterday. I did not realize this was going to be a prequel and would technically be book zero in this series. Legends and Lattes is probably my favorite book that I read this year, and it was such a cozy and comfortable setting to spend some time in. I fell in love with all of the characters, and so far Bookshops and Bonedust seems every bit as delightful as the first book did. I’ve only put in about a half dozen chapters but I will be burning through this one over the next few days.

What are your favorite books that you have read this year? What series should I check out? Drop me a line below.

Of Harvests That Are Dark

Friends… I have been on a bit of an adventure. The other day I saw some commentary from a friend talking about the movie Dark Harvest that came out earlier this month. The poster for it seems rather compelling and being a huge fan of Children of the Corn it piqued my interest. This was released as a rental on streaming platforms and got a live screening at the Alamo Drafthouse. So in another place and another time this likely would have been a major theatrical release, but in the weird place we are in at the moment it went “directly to home video”.

Then I read the fateful words on the poster… that it was “Adapted from The Award-Winning Novel”. 2023 has been the year of the book for me, and I am currently reading my fortieth of the year. Given how drastic movie adaptations can veer from the original material, I figured I would take a pause in my reading of Agency by William Gibson and give this novel a try. In the worst-case scenario, I bounce hard and simply watch the movie like I was going to originally.

This was a bit easier said than done because apparently, Dark Harvest has been a VERY popular name for novels. Some further research led me to the fact that the first one in this sequence is the one I was looking for by Norman Partridge. The “Award Winning” in the movie tagline relates to the Bram Stoker Award for Best Long Fiction from the year 2006. So yesterday morning I popped over to the Libby App and luckily one of the three libraries that I have a card for had it available. The novel itself is really more of a novella given that it is only 176 pages in length and I was able to easily read it over my lunch break.

Dark Harvest tells a tale that isn’t necessarily unique, but it does so in a really visceral manner from the perspective of an omniscient narrator that you learn more about as the tale comes to its conclusion. It is a tale of a suffocating small town, with bitter meanspirited people, and a yearly ritual that holds a dark secret. It is a novel that contains a “twist” but one that is pretty easily guessed and outright explained well before you have reached the halfway point. It is a novel with a deep sympathy for the monster, more in the vein of Frankenstein than Pumpkinhead. The town and more specifically the Police Officer stand in opposition against our trio of anti-heroes as we the readers root for them to succeed. Things may not be tied up in the neatest of bows at the end… but it was still fairly satisfying. More than anything this is a novel that rebels against the “things have always been this way and have to stay that way” narrative of small-town America. As a product of deeply rural “one horse town” America, I at least found it satisfying and immediately identified with the narrative of wanting to leave at any cost. That is precisely what I did… once I was gone, I was gone and I didn’t even come home on the weekends.

The movie however does what Hollywood always seems to do… and mercilessly fucks with the story. By the time we are ten minutes into the tale, it is already barely recognizable from the source material. While the novel is a tale of rebelling against dark traditions… the movie leans significantly more into the monster movie genre. As a result, you end up with this sort of what if Lord of the Flies happened during the Purge where the kids who all look like Back to the Future 1950s extras go out and wage war against Pumpkinhead. The only pieces that remain from the Novel, are the most basic building blocks of the plot… the October Boy, Starved Children Pressed into Service to Defend the Town, and the townsfolk enabling or at least turning a blind eye to the whole process.

I am not saying Dark Harvest is a bad film, just that it has very little to do with the novella that spawned it. It seems to constantly be flipping back and forth on this border of taking itself way too seriously, and cartoonish levels of nonsensical violence. For example, I give you the “bloodsplosion” which is a truly nonsensical scene where apparently the monster brutally murders an entire cellar worth of kids who have tried to hide away from “The Run”. Nothing that the monster could have done… would have caused this giant fountain of blood to come crashing out of the cellar, but we have it nonetheless as a weird hamfisted callback to the elevator scene from The Shining maybe? There is zero sympathy for the devil here… as Sawtooth Jack is just a mindless abomination that must be killed. There is some attempt to pin a message on at the end… but the delivery just does not really work with anywhere near the same gravity as it does in the novel.

I am not saying it is a bad film. So long as you go into it with the knowledge that it is going to be a movie with an easily guessable twist that makes some oftentimes interesting stylistic choices… you will probably enjoy yourself. That said after watching it… I fully understand why this went “directly to home video”. I think the biggest sin that the movie does, is doing a poor job of representing the novel. That however often seems to be the case, especially with horror adaptations. It isn’t that the novel itself is the best thing I have ever read, but it is good enough that I would suggest it, especially considering how quick of a read it is. I am less certain however if I would recommend the movie. This is maybe one of those situations where you would be better off watching the movie first, and then reading the real story afterward if you found the premise at all compelling.

So yes… I am damning this with the faintest of praise. If nothing else it was an interesting journey that I went on yesterday. The novel if nothing else has some really damned good lines in it. I will leave you with my favorite:

words don’t matter unless they are walking the hard road to the truth