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Blood of the Werewolf

October 12, 2014 by Belghast

AggroChat Episode #26

I feel like last night was a really good episode, or at least I hope it is. It is one of those nights where the conversation flowed freely and we had way more topics to talk about than we realistically had time to do so. Even at that we still recorded for roughly an hour and a half and it is completely packed full of stuff. The title of the show is the “Gospel of Galaxy Trucker” and that is because Kodra has become an evangelist for the power of that game. He has always been a big fan of the board game, and has latched onto the iOS port with both hands trying to get as many people to play with him as possible. Problem is for me at least I don’t have any iOS devices, and I sadly doubt that android and iOS users will be able to play together…. although in Carcassonne you could play across platforms so here is hoping.

Other than that we talked at length about Dragon Age: Origin and mostly how Kodra has been getting along in the game. He had tried to play it before in the past but was unable to get into it, so it seems as though he is at least over the hurdle. As we refer to it “Getting Off Citadel” because that was the big hurdle of when Mass Effect 1 started to become interesting, and getting past Lothering in Dragon Age is a similar journey. I talk at length about my issues with Destiny right now and the mindless grinding that is required to keep progressing. I am far more grind friendly than the rest of my cast mates but even I am starting to hit my limit. Finally we talk about the tell tale blank spots in the Blizzcon lineup and contemplate what they might be announcing. We throw out a bunch of ideas for a new game genre for them to polish to a mirror shine.

Blood of the Werewolf

I picked this up some time ago on a Steam sale because it had two things that greatly interested me. Firstly the fact that you were playing as a female werewolf looking for revenge for her slain husband was an interesting spin on the genre. Secondly it looked in many ways similar to the original Castlevania with a series of levels that show your progression in form of a minimap. The dual mechanics of “human” and “werewolf” modes seemed interesting as well. So for this mornings Steampowered Sunday I decided to give it a spin and play it for a bit. I was not really feeling up to interacting with the world so I opted not to stream it, however I did take lots of screenshots along the way. This however is a review that almost didn’t happen because apparently this game is essentially broken without massive intervention. When I launched it the first time I started getting C++ debug errors, and since I am programmer by trade and have visual studio installed… it kept asking me if I wanted to launch a debugger to step through the code.

It turns out this is a “known issue” and simply has not been patched. In fact there is a “helpful” thread on the steam forums on how to fix it. I put helpful in quotes because the “fix” requires you to edit your registry and hard code the resolution you want to run the game at. This is a horrible horrible decision, and I damned near stopped playing the game at this point. If you put a game on steam you should at least have a way to configure your games resolution without resorting to the registry. Quite honestly this right along makes me not recommend this game for anyone at this point. I feel like more than likely the current $1.04 pricetag and the regular $7.00 pricetag maybe reflects the fact that this game has some shitty development behind it. All of this said… the registry hack seemed to clear up my problems.

Charming Narrative

The art style and voice acting are really nicely done. I maybe should have used charming in quotes… since in reality you are going across the country side on a revenge fueled murder spree. But I guess in reality the original Castlevania didn’t give you much of a reason why you were going after Dracula… so it works here as well. The game is told from the perspective of the mother telling her son what she had to do to seek revenge for the killing of his father. I am not sure if this is like a journal that the son is reading, but it seems likely. Which makes me wonder does your character simply not survive in the end. I have not played enough yet to really be able to determine that, nor do I know if I will play enough, but I can get into the reasons behind that later.

The only problem I have is that the enemies you face are mostly random monsters… and while the rats and crocodiles and even other wolves make sense… I have no clue why there are giant fireball belching deep ones in the sewer system as well other than a faint nod to Castlevania. I feel like the game didn’t really explain who I was fighting against other than someone killed my husband and the father of the person reading the narration. What helps me care less about all of this is just how nice the characters and background end up looking. It is very stylistic but at the same time still richly detailed without going overly minimalistic.

Interesting Mechanics

The gameplay is split into two different kinds of mechanics. The first is that of your character as a human. She is equipped with a crossbow and here is where things get a little wonky. You aim your crossbow with your right thumb stick and fire it with your right trigger. Now if you fire your cross bow without touching your thumb stick it shoots straight at, but there are many times where you will need to angle a shot. The ability to fire directed arrows allows you to hit switches and trigger traps and angle shots just right to be able to shoot from relative safety. All of this however in practice feels like a lot to do as something is rushing at you. I got the hang of it as my play test went on, but it did not feel exactly intuitive at first.

Whenever your character goes out into the moonlight, you change immediately into your werewolf form which has a completely different set of attacks but maintains the same basic control scheme. Right trigger to attack, right shoulder to perform special ability. In werewolf form you get the ability to double jump, so a lot of the puzzles involve you jumping just at the right time in the middle of the air. One of the things they carried over from Castlevania is the constant cavalcade of bats timed at just the right spacing as to make it damned near impossible to ignore them, but futile to actually try and destroy them. Later the bats develop the same kind of loping movement as the medusa heads from Castlevania which makes them even more frustrating.

Uneven Difficulty

Other than the fact that the game does not actually run when you install it through steam without registry hack intervention… my number one complaint about the game is that it seems to have very uneven difficulty design in the levels. Granted the original Castlevania had this going on as well, but it was very much not a good feature. I feel like this game as a whole is a nostalgic nod to Castlevania in so many ways, and it even managed to carry over the same brutal and frustrating bits that quite frankly were just the product of poor level design rather than actual planning I feel. I played the first two levels this morning, and in each of them the bulk of the level was rather sedate with logical progression gradually ramping up as you went through the play field.

Then they would throw you at a bullet hell section, where for the course of a single area you would have to avoid three projectiles at a time from an enemy on the far side of the room, while avoiding environmental damage form above, bats flying in from the side, crumbling tiles beneath your feet and still having to make perfectly timed jumps between ladders and platforms. These sections are maddening but not in a good way. They feel completely misplaced when compared to the rest of the level design. Why should this one room be that much harder than the others, and why did none of the rest of the level really prepare you for it? The first time you really encounter the crumbling tiles… is during one of these sections so you really have no clue what that block does until you have already failed at doing so.

Blood of the Werewolf 2014-10-12 10-34-13-316

The above section is what finally made me decide I was done for the morning. YOu have a series of crushers that are a one shot kill. They move in all sorts of directions, and extremely quickly. There are status indicators above or to the side of them that show you how long before the piston fires. They require perfecting timing to get through. There is a moment where at two lights, you have to wait a split second before jumping. If you jump immediately after the second light you jumped too soon and die. If you jump as the third light is coming on, you jumped too late and die. I could have handled one sequence of these pistons but after doing three in a row… and having a fourth one at the top of the ladder in the above screenshot… I just said fuck it and killed the game. I was not in the mood for that, especially when the rest of the game was actually rather enjoyable.

Rhinestone in the Rough

Given that it is the season of monster themed games, I figured playing Blood of the Werewolf was a good pick this week. Now comes the hard part… do I suggest this game to others. I can’t really say this game is a diamond in the rough, because there is quite a bit of rough that you have to deal with to get to where you can play it. The steam forums are full of issues folks have had with this game, and apparently if you are not using an xbox 360 controller… you are likely going to have issues with controller support as well. Like the subheading says this is more a Rhinestone in the Rough. There are definitely some shiny bits that are fun, but the thing that got me was the uneven progression of difficulty. If you really like Metroidvania style games, and there is an aspect of collecting bits that make you more powerful… and you don’t mind frustration games that can be down right unfair like say the Mega Man series… this might be a game for you.

If you wanted a game that you could install, boot up without issue and play through without the feeling of wanting to throw your controller… this is very much not a game for you. Thankfully like I said earlier the game right now is super cheap on Steam through the 15th for only $1.04. At that price, even dealing with the bullshit it is probably worth it if you are at all curious. Sadly despite its charm I will likely never boot this game up again. I feel like Outland is better at doing the things I like about Metroidvania in every single way, so in truth you would probably be better playing it or Guacamelee. If however you have massive amounts of nostalgia over the original Castlevania… this might be just the game you were looking for.

#BloodoftheWerewolf #AggroChat

Rostygold and Primordial Shrieks

October 8, 2014 by Belghast

Bel Folks Stuff

For a few weeks I have been kicking around a concept, and I’ve finally decided to start moving towards the goal of making it happen. The concept is pretty simple, that I have a conversation one on one with a personality in our community or in the gaming industry. Instead of bringing them on to promote something, or actually talk about their gaming… I want to delve into the person behind the screen, what makes them tick and what they are passionate about. I decided to give the show a quirky name “Bel Folks Stuff” which as you can see from the logo is short hand for “Bel Talks to Interesting Folks About Really Important Stuff That They Enjoy Doing”. Because pretty much that sums it up in a nutshell. I personally find a lot of the people in our community super interesting and I have a sneaking suspicion that listeners would as well.

Now as far as the details of when I would record, how often I would record, what kind of turn around I am expecting… all of that is up in the air. This is the sort of thing that I would consider a “bonus” podcast rather than a serious scheduled one. There might be times that I schedule a recording and we realize there just wasn’t much to talk about. Other times I might record way more audio than I could ever cram into a podcast and have to release multiple parts. I am keeping all of this pretty flexible. Think of this as more of a “boutique” project than say AggroChat where we keep a weekly schedule. I am pretty pumped about the prospects, and the closest thing I can really compare it to is Actor’s Studio with James Lipton. I still need to firm up some of the things I plan to ask, but the idea is to keep it flexible and go wherever the conversation happens to go. I am also purposefully not making this specifically a “gaming” podcast. If folks want to talk about their passion for gardening… we are going to talk about their passion for gardening. The people behind the screens that we play interesting me more than what happens on the monitor.

Syrcus Grind Starts

For years I have been enamored with the concept of a “reset day”. So many MMOs have various gates that block you from completing too much content in a single week, as such once a week all of these gates unlock again and you can enter them to get awesome baubles. If I am being absolutely honestly with myself, I do not raid for the challenge… I raid for the spiffy things that I can obtain through it. Over the last several weeks I have been fastidiously gearing my Warrior job in Final Fantasy XIV through running Syrcus Tower and careful application of Tomestones of Soldiery. Over the course of these last few weeks I have managed to take my average item level up to 98 which is nothing to sneeze at. Quite honestly most of this has been sheer dumb luck. I’ve entered Syrcus each week and during the course of the first or second attempt at the run a piece of gear has dropped that was an upgrade and I won it. Now however I am down to just two pieces of gear that I can obtain from there… apart from the Sands and Oil of Time which I will focus on eventually.

Over the course of the night last night I ran Syrcus a grand total of four times, and in none of those times did I manage to see either the Helmet or the Legs drop. I feel like I have managed to pick up the easy pieces, and now that I only need two… both of which drop from the same boss I am going to have a much slower time to go. I will probably limit myself to a single running of Syrcus a night to keep from making it absolute misery. If by the end of the week I haven’t gotten either the helm or the legs I guess I will go after either an oil or sands with the hope of upgrading one of my existing soldiery slots to 110. I posted the picture above because there is a rule in FFXIV that I have noticed… if more than one Lalafell is standing in an area for too terribly long… dancing will happen. This is a bunch of us waiting on the last person to realize they had not yet rolled on the Onion Knight cosmetic pet. Of course I didn’t win it, but by god I am not leaving the instance until I at least see that my chance at it is over.

Rostygold and Primordial Shrieks

Several weeks into the game and I still find myself hopelessly enamored with Fallen London. I guess I have Tarantella to thank for this… and in turn my circle of friends has me to thank for their present addiction as well. I guess what surprises me the most about this game is just how deep the rabbit hole gets. In various areas of the game there are “Ambition” storylets, and for the uninitiated a storylet is the equivalent of a quest in other games. You might do something in an unrelated series of a events, which sets a flag that now opens up a bunch of stories that cascade off of it. The ambition quests tend to be the most intricate and detailed and also time consuming. While playing Fallen London there are many positive statuses you can earn, but additionally many negative ones as well. Each of the negative statuses has some consequence associated with it. For example if you allow your nightmares to reach 8, you quite literally go insane and can take no actions other than ones attempting to reclaim your mental faculties.

Yesterday I got an Ambition that involved me purposefully getting thrown into Newgate Prison to track an enemy of yours that is residing there. In order to accomplish this I had to raise my suspicion to 8, triggering a sequence of events that ended with being unceremoniously thrown into prison. From there I could go after my mark directly, but the problem is… once that was completed I still was sitting in prison. At this point I was forced to take actions in an attempt to lower my suspicion back to zero again. These actions involved calling in favors that I had earned in the rest of Fallen London, blatant bribe attempts, or doing actions that show “good behavior”. The problem is while the ability that got me into prison swapped 1 action for 1 suspicion… digging my way out of the hole took a considerably amount of time.

That seems to be the “negative” consequences in this game, are that you can get yourself into a situation where you have to spend copious turns correcting the mistake you made in the first place. I am still slowly working my way into the confidence of the devils. I had reached a point where I was getting dangerously close to losing my soul in game, and I took actions to delay that… which cost me a ton of faction in the process. As such I have been slowly building back up to that point, because really I think it might be interesting to see what the game is like if you have gone through the “abstraction”.

The problem with courting the devils is that you end up constantly teetering dangerously close to the fail condition on both Nightmares and Scandal. As such I am constantly in search of creative ways to lower both of these negative statuses. In any case I am still digging the game, and enjoying the setting. I really need to spend more time digging into Sunless Sea, but I keep hearing there is a major patch in the works that will fix a good number of the problems with the game, and as such I am mostly holding back. If you have not played this game and enjoy roleplaying games with quirky settings… I highly suggest you check it out. If you do add me as a contact, so that we can be “delicious friends” to borrow the verbiage of the game.

#FFXIV #FallenLondon

Outland

October 5, 2014 by Belghast

AggroChat Episode 25

Last night we recorded yet another episode of our weekly podcast AggroChat. This week we were missing Rae, but had Ashgar, Kodra and Tam to join me to talk about stuff and things. Of the four of us, three of us have almost spontaneously started replaying Dragon Age: Origins. In truth Ashgar started it and then Tam and I decided it was a pretty excellent idea to follow suit as we all realized we didn’t really have a good save to feed into the upcoming title Dragon Age: Inquisition. As such we have been lost in that title and remembering just how amazing it really is. We gush about about the writing behind the title and some of our favorite and least favorite characters. We try not to give many spoilers since Kodra has yet to make it terribly far in the game, so should be safe to listen to for complete Dragon Age nubs and pros alike.

We meander our way through a couple of indie games, namely Crypt of the Necrodancer that Kodra has been playing, and Outland the awesome metroidvania that I am reviewing as part of my Steampowered Sunday. Ashgar hooked me up with a copy originally with the intent of playing this co-op… but it seems like the latency for co-op play is still absolutely atrocious. So instead I played it all by my lonesome this morning… we at least as lonesome as you can be while streaming it to the internet. Finally we talk about Final Fantasy XIV and the odd sense of compartmentalism in that game. How you can progress among multiple vectors without the need to really mess with the others. Also we walk about how much we are looking forward to the as of yet completely announced 3.0 expansion, which is rumored to have as much content as the original 2.0 release had.

Two other really interesting things happened during the episode. For starters we announced that we were now part of TGEN The Gaming and Entertainment Network of podcasts. Quite honestly I am a bit humbled to be included with such illustrious podcasts as Battle Bards, Beyond Bossfights, Cat Context, Contains Moderate Peril, Couch Podtatoes, Massive Failure and Roleplay Domain. I am also quite humbled to be the first podcast to officially be launching the network, since we record on Saturday nights and launch Sunday, we are the first show sporting the new network bumper. Additionally we talk about the upcoming Extra Life gaming marathon and our team. Right now you can check out Ashgar, Kodra and Myself on the donor pages and our progress… and then tune in Oct 25th to the Alliance of Awesome hitbox team to watch the streamers. Being our first year I set a very low team goal of $200 and so far we have raised just shy of $600 dollars in pledges. Really looking forward to the event, and I hope you join us.

Outland

For a few weeks now my friend Ashgar has been talking about this particular metroidvania with some interesting twists. Last weekend shortly after recording the Steampowered Sunday for Mercenary Kings he hooked me up with a copy on steam, suggesting we might play it for this Sunday. Apparently there is some really cool co-operative play in the game, but at the time of writing this it is apparently completely broken in that the latency makes it absolutely unplayable. I can see how any matter of latency would be a problem, as there are several places where you have a very slim window to time a jump or an attack. Since the co-op was out of the picture, I opted to still play the game but do so solo… or at least as solo as you can be while streaming. At face value it is a really artistically slanted metroidvania game. It follows the artistic style to some extent of the current crop of mostly silhouetted figures against a colorful background. This almost always makes a game feel far more detailed than it actually is, and I tend to enjoy this style of art.

You play the role of the ancestor of a great warrior who tamed the twin sisters of light and dark to save creation. To be truthful while well done the narrative doesn’t seem to matter that much other than add a bit of flavor. You wander through the levels collecting coins and rare pieces of treasure and sometimes unlocking special abilities. The twist on the traditional Metroidvania genre however comes in the fact that over time you can harness the power of the Light Spirit and the Dark Spirit and use these to bypass certain obstacles. The Light is represented by blue, and the Dark by red and while in the same color as an obstacle you can pass directly through it. You can also use your color to active switches and platforms allowing you to traverse the levels. You are rationed these abilities slowly and I didn’t get the second color until I had defeated the first boss. Some of the later puzzles require you to switch colors midair to take advantage of a platform that activates when you land on it with a specific color. This is facilitated by hitting the right shoulder button on your controller. This definitely feels like the sort of game that is greatly improved with a controller, so I did not even attempt to pay attention to the equivalent keyboard controls for things.

Epic Boss Fights

At the end of the first level you have to fight a giant golem that is blocking your way. The scale of the fight is extremely impressive and makes the game feel much larger than it actually is. The camera zooms in and out based on how large the chamber you are in happens to be, and this gives a more dynamic feel to the gameplay. The boss mechanic was rather simple but extremely effective in that you had to avoid a ground slam and then climb the giant itself while it was temporarily drained of its power to attack and exposed weak spot. As the fight got on there were more details that had to be avoided, like a rain of red and blue bullets that gives the game almost a bullet hell feel to it. I had to stand in the blue beams to avoid taking damage from the red beams, and I am imagining that in later encounters you will have to shift back and forth between red and blue to soak specific abilities while flipping to the opposite to be able to damage your target. While you can soak beams of the same color… mobs of that color can still damage you, and you can only damage them when flipped to the alternate polarity.

The game is constantly compared to the fabled bullet hell shooter by Treasure called Ikaruga in that it has similar soak/polarity mechanics. However any many ways it reminds me of the gameplay of Silhouette Mirage and earlier title with the same basic mechanic by Treasure. Similar to Outland it was a side scroller and you had a dual polarity of absorption and repelling based on which direction you pointed your attacks. You can check out my entire hour and a half long play session this morning in the embedded Hitbox video. I have to say I dig the game so far and want to play more of it. I just felt like I needed to wrap up this mornings session so I could get my blog post out, however I played significantly longer than most Steampowered Sunday mornings… so that should tell you something. Right now the game is under $10 on steam, and more than worth that price. I would have paid at least $20 for it to be honest, had someone not ever so graciously gifted it to me. If you like the Metroidvania genre and especially like ones with interesting mechanics like Guacamelee you should check this out.

#Outland #AggroChat

Death of a Genre

October 4, 2014 by Belghast

Downfall of a Game

One of the problems within the MMO community is that we seem to view each release as a zero sum game. As such when something new comes out, it threatened to chip away at the player base of whatever game we happen to love and are currently playing. When that game falters and begins to fail, with this point of view it becomes extremely hard not to take pleasure in that downfall. The problem is this is an extremely toxic and dysfunctional outlook, and ultimately is what has lead to the current climate in MMOs. For years companies have been chasing an illusive dream of trying to create another World of Warcraft.

This was an inherently flawed vision because really… “mmo gamers” are a rather small niche in the market, and most folks who play World of Warcraft are not actually “mmo gamers”. If you take a look at the size of the market before World of Warcraft, you saw a handful of games with sub-million subscriber numbers. Before the launch of the first expansion World of Warcraft had boomed to be an over 6 million subscriber game. This was not the conversion of all of these other MMO gamers, but instead the conversion of fans of the existing Warcraft franchise into the MMO genre. The thing is… these new gamers are there for a myriad of reasons, but none of them easily translate into a new franchise.

So as these new games launch they are essentially fighting over the same piece of pie over and over. All you have to do is look at my immediate circle of friends. A large chunk of them stuck with World of Warcraft, and it would likely take an apocalypse or the servers shutting down to pry them from it. Another group has wandered away from the game each and every time something new and shiny showed up on the horizon. Very few of these players stick around in any game for longer than three months, and more often they play their free month and then return to whatever the status quo was before the new launch. I watched this pattern play out for both Elder Scrolls Online and Wildstar, and the games industry is finally realizing that this is going to happen for every single new game that releases.

Indictment of the Trend

The cancelling of Titan has been a far more contentious issue in the blogosphere than I expected. At this point my point of view is that this is Blizzard admitting that the MMO genre has no more room for new players. While there will always be a core group of players in World of Warcraft just like there is still a core group of players in Everquest, Everquest II, and Dark Age of Camelot… that core group continues to shrink as folks either “grow out” of World of Warcraft as they find it no longer suits their interests, or simply run out of the copious amounts of free time it requires as they get that job, family, whatever. I think they have done some really simple calculus here and determined that there simply is not enough of a pool of players to make a brand new MMO from Blizzard successful.

With World of Warcraft they have a decade long buy in from a large number of gamers. They have literal years of memories and hard to acquire items to keep them chained to the game. With a brand new IP, they are starting from scratch in the same position as all of these games that have floundered have been in. Blizzard brand name recognition just isn’t enough to guarantee success, so I feel like it was a pure business decision that it just did not make sense to further dilute their subscription player base by trying to launch a new MMO. As much as I love the clean subscription model, it doesn’t make a lot of sense to launch a new game with it. After watching what happened to Wildstar and to a somewhat lesser extent Elder Scrolls Online, the market does not want any more subscription games. So by launching a new MMO they would be converting at least a portion of their subscriber base of easy month to month money to far more dicey and less predictable free to play money.

No Joy Watching Wildstar

I find it impossible to find joy in the unraveling of Wildstar that I see before me. I am not playing the game, so I am in essence part of the problem. For whatever reason it was an accumulation of all of the things my BC era self said they wanted in a video game. The problem is we gamers are notoriously horrible at trying to decide what we want. “We” said we wanted a hardcore game like Everquest and a return to forced grouping… then when we got Vanguard no one actually wanted to play that. We said we wanted a hard core PVP game like Dark Age of Camelot… and then when we got Warhammer Online no one actually wanted to play that either. So I find it no suprise that when we said we wanted a return to the golden says of World of Warcraft raiding… no one actually wanted that either when we got Wildstar. The truth is we have no clue at all what we want until we actually see it and experience it.

The problem is that the MMO design ethic has been so wrapped up in trying to target what the public is asking for, that it has stagnated into a mire of “wow like features”. A week or so ago there were a series of posts taking point and counterpoint on whether or not WoW has ruined MMOs. In a way I have to say yes, but not through anything that they did on purpose. World of Warcraft has been this juggernaut that everyone else is forced to content with whether or not they actually wanted to. It is a gold standard that every new game is judged by. So you either have games that try and out feature it like Rift, or out lore it like Star Wars the Old Republic… but each and every new release is at least in someway a response to the success that World of Warcraft was. Without that outlier of success we probably would see a much more healthy MMO ecosystem… albeit a ridiculously smaller one.

Death of a Genre

So I cannot take joy in watching Wildstar, or Elder Scrolls Online or any other MMO falter right now, because I see it as all being part of the same shared ecosystem. When one of these games fails, it is in essence taking a chunk of players out of the pool that will likely never return. So many of my friends have simply just checked out of online gaming for one reason or another, but the core thread among them all is they are just tired of the volatility. The choice is either return to World of Warcraft and make due with the status quo, or jump from game to game to game getting a months worth of enjoyment at a time before the ultimate crash. None of this sounds like a healthy ecosystem, and all of this is what is driving triple A studios away from the notion of even trying to do an MMO.

If you think about it right now… there is nothing really on the horizon for gamers to latch onto. There are a few boutique titles like Pathfinder or Camelot Unchained… that are super focused on a specific niche and that may or may not be at least partially vaporware, unlikely to actually launch with all of the features they are touting. Then you have a constant spin of Korean titles as they have their own MMO renaissance that we went through several years ago. However After the launch of ESO and Wildstar… there is really no big western titles on the immediate horizon. Everquest Next is the closest thing but realistically it is still several years from release. The other games that are coming out are more akin to Destiny than they are to a traditional MMO. So I can’t blame World of Warcraft for this current situation, because in truth it is our flighty nature that has salted the fields in our wake. We are the reason why there is no fertile ground for a new MMO to take purchase. It is because of all of this… that I can find no pleasure in watching yet another game fail.