Featuring: Ammosart, Ashgar, Belghast, Grace, Kodra, Tamrielo, and Thalen
Hey Folks! It is that time again, time for our yearly Games of the Year show. Last year we learned that it was far better to record two weeks in a row instead of creating a marathon three-plus hour long show and cutting it in half. This week we dive into the second half of the show covering the final eleven games. These are games that were important to us this year and may or may not have actually been released this calendar year. A lot of them were, but I just wanted to set the expectations.
This year we did not have a lot of overlap, which is to be expected given that the seven of us have some wildly different tastes. It was a big year and I am sure there are a lot of games that you think might need to be on this list that we did not choose. Hopefully, you enjoy our thoughts all the same.
Good Morning Friends! It was in June of 2022 that I first saw the teaser trailer for a new Warhammer game called Boltgun, and I could already tell that I was probably on board with its particular brand of nonsense. Very rarely is a video game so directly targeted at my soul. In the mid-90s when I was obsessing over making levels for Doom 2, I was also obsessed with assembling plastic “beakie” Space Marines with my friend Jason and waging epic battles on his ping pong table semi-permanently converted into a battleground full of scratch-built terrain. That Proto-Bel would have been all over this game… in fact I kept trying to pretend that the EA-released Space Hulk PC game was actually a Doom clone at the time.
About a week ago the Boltgun trailers started to make their way into my feed and I remembered how much I wanted to play this game. Yesterday it officially released and I picked it up over on Steam, but it appears to pretty much be available for all platforms. Having spent part of my evening playing through the first half dozen levels or so… it very much feels like more of an actual spiritual successor to Doom and Doom 2 than the extremely excellent 2016 Doom release. As someone who cut my teeth on Wolfenstein 3D, Doom, Blake Stone, Rise of the Triad, and of course Duke Nukem 3D… this FEELS like you remember those games feeling. Modern audiences probably won’t really appreciate this fact, but even the sprite work in this game FEELS like it is 2.5D in the way that the transition of the model animations is ever so slightly abrupt.
You start off with just your chain sword and a little way into the first level you pick up your holy Bolter seated on top of an altar… with the reverence one would expect a holy instrument of imperial might. The chain sword takes some getting used to because effectively it throws you into a sort of bullet time as you line up your attack. You charge your sword, which pauses the game and then your character leaps forward and attacks with the blade. Essentially low-level minions will be finished off in a single hit… for higher-level minions, you will need to wait until they only have a sliver of life before it becomes a really effective attack. Essentially it can also be used as a movement ability of a sort where you charge forward and can sort of do a mid-air charge if you time it just right.
While the game lovingly replicates the feel of “random doodads all over the place for you to pick up” that was common for this era of shooter, it also has a lot of modern messaging. For example, the Chaos Cultists have lovingly painted platforms with yellow paint so you can know where you should be leaping to in order to kill them more efficiently. The game also features a “ledge pull-up” parkour system so if you leap across a gap, you can catch on the lip and pull yourself over onto the next platform. This isn’t over the top but feels pretty natural even within the framework of a “retro-inspired” shooter. There will be no blinking arrow telling you where to go… but I feel like a game like this doesn’t really need it. In some of the larger maps, there will be a bit of fumbling around and looking for the exit, but that also comes with this era of the genre.
What is so pure about this game is the fact that you get an endgame summary screen just like you did in Doom. The only thing that I feel a little iffy about is what it seems to count as secrets are not what I would have called secrets back in the day. Generally speaking, so far it is finding your way to a hidden powerup or something that is just off the beaten path… and less opening up new chambers and finding new areas of the map. I guess gone are the days of “humping” the wall while spamming your open key looking for a hidden door… and instead, it is just efficiently clearing every corner of every level. I admittedly missed several secrets on each level so maybe there were hidden doors that I just didn’t find.
The story is a bit on the light side, but really… did we care about the story in Doom? The story was largely an excuse for us to kill more demons, and the story in Boltgun is the story of EVERY Space Marine game… PURGE! There is a lovingly crafted number of chaos mobs that you will end up fighting along the way from mere cultists to Chaos Marines… to Chaos Terminators… to even Chaos Daemons like the Great Unclean One. Basically don’t expect high art here… this is a game with just enough story to keep it from falling on its face… as it should be for any 90s-era shooter. If you are also of this era then you will probably love it. If you were NOT from this era… I have no clue what you will think about this game. It’s a relatively fast-paced retro shooter with weapons that feel powerful and combat that feels visceral. For me personally… it really hit the spot.
